 well-defined
character that fitted their age and body languages. The rapier
–sharp synergy between the lead actors brings to life the
narrative. But there some very nice moments which stand out
especially the scene in which Madhavan gets up from the
wheelchair and jumps the fence to save his brother.
Hats off to Madhavan, for accepting the role of a coward with
his unrivalled comic timing, as the audiences root for him. It
is Sameera best ever role after Vaaranam Aayiram and she has
done full justice to it. For a change her lip sync and
Chinmayi’s dubbing brings out the fiery nature of the character.
Amala Paul is lovely to look at and her feisty performance
proves that a star is born. The film is a showcase not so much
for Arya’s acting, but for his scorching screen-presence, action
hero image and humour. Ashutosh Rana is good.
On the downside, the American
Maapillai scenes looks forced and thrust into the narrative.
Yuvan Shankar Raja’s music is peppy and adds to the mood of the
film. The opening song Tham, Tham.. and Kattipettai, Kattipettai…
are hummable.
Count among other things Nirav Shah’s camerawork, especially his
song picturisation and top angle shots which makes action and
song sequences look vibrant. Anthony’s editing and Rajeevan’s
art work makes the film technically sound.
On the whole, popcorn entertainers are best enjoyed when they
aren't overanalyzed, and Vettai is no exception. It’s a
delicious one-time watch for this Pongal season. |
